Katherine Jones RA, The Belly Pot, 2020 (framed) - final print
Etching and block-print, 74 x 56cm, edition of 25
Royal Academician Katherine Jones’ practice encompasses a wide range of contemporary and traditional printmaking techniques as well as watercolour and oil painting. Her limited edition and unique works are characterised by a particular luminosity whether it be generated by sunlight hitting water or the artificial glow from within a glasshouse.
Throughout her practice, Katherine has been fascinated by structures that historically provide shelter - but may be more fragile than first assumed. Much of her subject matter is inspired by her immediate surroundings whether it be urban architecture, rural landscape or objects found within domesticity. The power of light and the transformative processes found in nature are also key themes within the artist’s imagery.
This large-scale framed limited edition print was part of our ‘Almost Blue’ collection exhibited from 6-9 June at the Royal Watercolour Society’s Gallery, London. It is one of a group of prints inspired by the work of renowned potter Bernard Leach, and his theory that human characteristics and emotions can be evoked by objects - such as tear-shaped pot or an urn’s lip. This is the final print available from this limited edition of 25.
Katherine graduated from Camberwell College of Art in 2003. She has exhibited widely both in the UK and internationally including a solo exhibition at Rabley Gallery in 2021 and more recently in ‘Hockney to Himid: 60 Years of British Printmaking’ at Pallant House Gallery, Chichester . She has been the recipient of numerous awards including the London Original Print Fair Prize in 2014. She was also artist in residence at Eton College Drawing Schools in 2014; this experience informed Oliver Projects’ solo exhibitions of her work in 2020. Her work is held in public collections including the V&A Museum, London, Guangdong Museum, China, and Boston Athenaeum, USA. Katherine was elected a Royal Academician in April 2022. She lives and works in south east London.
Etching and block-print, 74 x 56cm, edition of 25
Royal Academician Katherine Jones’ practice encompasses a wide range of contemporary and traditional printmaking techniques as well as watercolour and oil painting. Her limited edition and unique works are characterised by a particular luminosity whether it be generated by sunlight hitting water or the artificial glow from within a glasshouse.
Throughout her practice, Katherine has been fascinated by structures that historically provide shelter - but may be more fragile than first assumed. Much of her subject matter is inspired by her immediate surroundings whether it be urban architecture, rural landscape or objects found within domesticity. The power of light and the transformative processes found in nature are also key themes within the artist’s imagery.
This large-scale framed limited edition print was part of our ‘Almost Blue’ collection exhibited from 6-9 June at the Royal Watercolour Society’s Gallery, London. It is one of a group of prints inspired by the work of renowned potter Bernard Leach, and his theory that human characteristics and emotions can be evoked by objects - such as tear-shaped pot or an urn’s lip. This is the final print available from this limited edition of 25.
Katherine graduated from Camberwell College of Art in 2003. She has exhibited widely both in the UK and internationally including a solo exhibition at Rabley Gallery in 2021 and more recently in ‘Hockney to Himid: 60 Years of British Printmaking’ at Pallant House Gallery, Chichester . She has been the recipient of numerous awards including the London Original Print Fair Prize in 2014. She was also artist in residence at Eton College Drawing Schools in 2014; this experience informed Oliver Projects’ solo exhibitions of her work in 2020. Her work is held in public collections including the V&A Museum, London, Guangdong Museum, China, and Boston Athenaeum, USA. Katherine was elected a Royal Academician in April 2022. She lives and works in south east London.
Etching and block-print, 74 x 56cm, edition of 25
Royal Academician Katherine Jones’ practice encompasses a wide range of contemporary and traditional printmaking techniques as well as watercolour and oil painting. Her limited edition and unique works are characterised by a particular luminosity whether it be generated by sunlight hitting water or the artificial glow from within a glasshouse.
Throughout her practice, Katherine has been fascinated by structures that historically provide shelter - but may be more fragile than first assumed. Much of her subject matter is inspired by her immediate surroundings whether it be urban architecture, rural landscape or objects found within domesticity. The power of light and the transformative processes found in nature are also key themes within the artist’s imagery.
This large-scale framed limited edition print was part of our ‘Almost Blue’ collection exhibited from 6-9 June at the Royal Watercolour Society’s Gallery, London. It is one of a group of prints inspired by the work of renowned potter Bernard Leach, and his theory that human characteristics and emotions can be evoked by objects - such as tear-shaped pot or an urn’s lip. This is the final print available from this limited edition of 25.
Katherine graduated from Camberwell College of Art in 2003. She has exhibited widely both in the UK and internationally including a solo exhibition at Rabley Gallery in 2021 and more recently in ‘Hockney to Himid: 60 Years of British Printmaking’ at Pallant House Gallery, Chichester . She has been the recipient of numerous awards including the London Original Print Fair Prize in 2014. She was also artist in residence at Eton College Drawing Schools in 2014; this experience informed Oliver Projects’ solo exhibitions of her work in 2020. Her work is held in public collections including the V&A Museum, London, Guangdong Museum, China, and Boston Athenaeum, USA. Katherine was elected a Royal Academician in April 2022. She lives and works in south east London.
