Suzanne Moxhay, Connecting Door, 2024
Archival Pigment Print, edition of 10, 65 × 54cm
Suzanne Moxhay’s complex images use archival or newly-taken photographs as their starting point. Combining a variety of low and high-tech techniques, her digital photomontages and etchings explore interior and exterior spaces that, in the artist’s words, ‘feel as though they have broken down and perhaps been re-claimed’.
Suzanne’s practice is informed by an interest in film-making, and strong light sources play a key role in creating drama. ‘There’s always been a bit of a play in my work between what’s inside and outside, both in literal and psychological terms. In films the sets and scenes are often used in a way to try and describe the psychology of the character or something to do with the story; that’s always interested me.’
This new, unframed limited edition print by Suzanne is included in our 2024 Woolwich Contemporary Print Fair collection. It continues to explore the artist’s interest in drawing the viewer’s eye down a corridor, through a sequence or doors or openings. As with many of Suzanne’s images, nature gently encroaches upon this imagined interior in the form of reflected sunlight, blown-in leaves and faded foliage on the walls.
Suzanne studied at Chelsea College of Art and The Royal Academy Schools, graduating in 2007. She has exhibited widely, both nationally and internationally since 2002 and her work is held in many significant public and private collections including the University of the Arts Collection, The Royal Academy of Arts, The Cooper Union New York, and Oxford University. She has featured in numerous publications including The Guardian, The FT, A-N Magazine and Art World Magazine and has been profiled and interviewed on the BBC Culture Show. Oliver Projects presented Suzanne’s work at the Woolwich Contemporary Print Fair in 2021, 2022 and 2023. She lives and works in south east London.
Archival Pigment Print, edition of 10, 65 × 54cm
Suzanne Moxhay’s complex images use archival or newly-taken photographs as their starting point. Combining a variety of low and high-tech techniques, her digital photomontages and etchings explore interior and exterior spaces that, in the artist’s words, ‘feel as though they have broken down and perhaps been re-claimed’.
Suzanne’s practice is informed by an interest in film-making, and strong light sources play a key role in creating drama. ‘There’s always been a bit of a play in my work between what’s inside and outside, both in literal and psychological terms. In films the sets and scenes are often used in a way to try and describe the psychology of the character or something to do with the story; that’s always interested me.’
This new, unframed limited edition print by Suzanne is included in our 2024 Woolwich Contemporary Print Fair collection. It continues to explore the artist’s interest in drawing the viewer’s eye down a corridor, through a sequence or doors or openings. As with many of Suzanne’s images, nature gently encroaches upon this imagined interior in the form of reflected sunlight, blown-in leaves and faded foliage on the walls.
Suzanne studied at Chelsea College of Art and The Royal Academy Schools, graduating in 2007. She has exhibited widely, both nationally and internationally since 2002 and her work is held in many significant public and private collections including the University of the Arts Collection, The Royal Academy of Arts, The Cooper Union New York, and Oxford University. She has featured in numerous publications including The Guardian, The FT, A-N Magazine and Art World Magazine and has been profiled and interviewed on the BBC Culture Show. Oliver Projects presented Suzanne’s work at the Woolwich Contemporary Print Fair in 2021, 2022 and 2023. She lives and works in south east London.
Archival Pigment Print, edition of 10, 65 × 54cm
Suzanne Moxhay’s complex images use archival or newly-taken photographs as their starting point. Combining a variety of low and high-tech techniques, her digital photomontages and etchings explore interior and exterior spaces that, in the artist’s words, ‘feel as though they have broken down and perhaps been re-claimed’.
Suzanne’s practice is informed by an interest in film-making, and strong light sources play a key role in creating drama. ‘There’s always been a bit of a play in my work between what’s inside and outside, both in literal and psychological terms. In films the sets and scenes are often used in a way to try and describe the psychology of the character or something to do with the story; that’s always interested me.’
This new, unframed limited edition print by Suzanne is included in our 2024 Woolwich Contemporary Print Fair collection. It continues to explore the artist’s interest in drawing the viewer’s eye down a corridor, through a sequence or doors or openings. As with many of Suzanne’s images, nature gently encroaches upon this imagined interior in the form of reflected sunlight, blown-in leaves and faded foliage on the walls.
Suzanne studied at Chelsea College of Art and The Royal Academy Schools, graduating in 2007. She has exhibited widely, both nationally and internationally since 2002 and her work is held in many significant public and private collections including the University of the Arts Collection, The Royal Academy of Arts, The Cooper Union New York, and Oxford University. She has featured in numerous publications including The Guardian, The FT, A-N Magazine and Art World Magazine and has been profiled and interviewed on the BBC Culture Show. Oliver Projects presented Suzanne’s work at the Woolwich Contemporary Print Fair in 2021, 2022 and 2023. She lives and works in south east London.
