Suzanne Moxhay, Interior with Rain, 2024
Archival Pigment Print, edition of 10, 70 x 63cm
Suzanne Moxhay’s complex images use archival or newly-taken photographs as their starting point. Combining a variety of low and high-tech techniques, her digital photomontages and etchings explore interior and exterior spaces that, in the artist’s words, ‘feel as though they have broken down and perhaps been re-claimed’.
Suzanne’s practice is informed by the theatre of film-making, and strong light sources play a key role in creating drama. ‘There’s always been a bit of a play in my work between what’s inside and outside, both in literal and psychological terms. In films the sets and scenes are often used in a way to try and describe the psychology of the character or something to do with the story; that’s always interested me.’
This new unframed limited edition print is part of our 2024 ‘Almost Blue’ online collection and exhibition. Water - in particular the flooding of interior spaces - has played a key role in Suzanne’s recent imagery. In this new work, rain begins to fill an imaginary room, its ripples reflecting the light streaming in. A dark cluster of fir trees, painted as part of a mysterious mural on the wall - are also mirrored upon its surface.
Suzanne studied at Chelsea College of Art and The Royal Academy Schools, graduating in 2007. She has exhibited widely, both nationally and internationally since 2002 and her work is held in many significant public and private collections including the University of the Arts Collection, The Royal Academy of Arts, The Cooper Union New York, and Oxford University. She has featured in numerous publications including The Guardian, The FT, A-N Magazine and Art World Magazine and has been profiled and interviewed on the BBC Culture Show. Oliver Projects presented Suzanne’s work at the Woolwich Contemporary Print Fair in 2021 and 2022. She lives and works in south east London.
Archival Pigment Print, edition of 10, 70 x 63cm
Suzanne Moxhay’s complex images use archival or newly-taken photographs as their starting point. Combining a variety of low and high-tech techniques, her digital photomontages and etchings explore interior and exterior spaces that, in the artist’s words, ‘feel as though they have broken down and perhaps been re-claimed’.
Suzanne’s practice is informed by the theatre of film-making, and strong light sources play a key role in creating drama. ‘There’s always been a bit of a play in my work between what’s inside and outside, both in literal and psychological terms. In films the sets and scenes are often used in a way to try and describe the psychology of the character or something to do with the story; that’s always interested me.’
This new unframed limited edition print is part of our 2024 ‘Almost Blue’ online collection and exhibition. Water - in particular the flooding of interior spaces - has played a key role in Suzanne’s recent imagery. In this new work, rain begins to fill an imaginary room, its ripples reflecting the light streaming in. A dark cluster of fir trees, painted as part of a mysterious mural on the wall - are also mirrored upon its surface.
Suzanne studied at Chelsea College of Art and The Royal Academy Schools, graduating in 2007. She has exhibited widely, both nationally and internationally since 2002 and her work is held in many significant public and private collections including the University of the Arts Collection, The Royal Academy of Arts, The Cooper Union New York, and Oxford University. She has featured in numerous publications including The Guardian, The FT, A-N Magazine and Art World Magazine and has been profiled and interviewed on the BBC Culture Show. Oliver Projects presented Suzanne’s work at the Woolwich Contemporary Print Fair in 2021 and 2022. She lives and works in south east London.
Archival Pigment Print, edition of 10, 70 x 63cm
Suzanne Moxhay’s complex images use archival or newly-taken photographs as their starting point. Combining a variety of low and high-tech techniques, her digital photomontages and etchings explore interior and exterior spaces that, in the artist’s words, ‘feel as though they have broken down and perhaps been re-claimed’.
Suzanne’s practice is informed by the theatre of film-making, and strong light sources play a key role in creating drama. ‘There’s always been a bit of a play in my work between what’s inside and outside, both in literal and psychological terms. In films the sets and scenes are often used in a way to try and describe the psychology of the character or something to do with the story; that’s always interested me.’
This new unframed limited edition print is part of our 2024 ‘Almost Blue’ online collection and exhibition. Water - in particular the flooding of interior spaces - has played a key role in Suzanne’s recent imagery. In this new work, rain begins to fill an imaginary room, its ripples reflecting the light streaming in. A dark cluster of fir trees, painted as part of a mysterious mural on the wall - are also mirrored upon its surface.
Suzanne studied at Chelsea College of Art and The Royal Academy Schools, graduating in 2007. She has exhibited widely, both nationally and internationally since 2002 and her work is held in many significant public and private collections including the University of the Arts Collection, The Royal Academy of Arts, The Cooper Union New York, and Oxford University. She has featured in numerous publications including The Guardian, The FT, A-N Magazine and Art World Magazine and has been profiled and interviewed on the BBC Culture Show. Oliver Projects presented Suzanne’s work at the Woolwich Contemporary Print Fair in 2021 and 2022. She lives and works in south east London.
