Suzanne Moxhay, Tall Trees, 2022 (framed)
Archival Pigment Print, edition of 15, 60 × 47cm
Suzanne Moxhay’s complex images use archival or newly-taken photographs as their starting point. Combining a variety of low and high-tech techniques, her digital photomontages and etchings explore interior and exterior spaces that, in the artist’s words, ‘feel as though they have broken down and perhaps been re-claimed’.
Suzanne’s practice is informed by an interest in film-making, and strong light sources play a key role in creating drama. ‘There’s always been a bit of a play in my work between what’s inside and outside, both in literal and psychological terms. In films the sets and scenes are often used in a way to try and describe the psychology of the character or something to do with the story; that’s always interested me.’
This framed limited edition print by Suzanne is included in our 2024 Woolwich Contemporary Print Fair collection. In this imagined scene, the artist explores scale and perspective by placing a natural landscape in front of what appears to be a painted wall. The end result is reminiscent of an elaborate stage set; the viewer is left to question reality versus fabrication.
Suzanne studied at Chelsea College of Art and The Royal Academy Schools, graduating in 2007. She has exhibited widely, both nationally and internationally since 2002 and her work is held in many significant public and private collections including the University of the Arts Collection, The Royal Academy of Arts, The Cooper Union New York, and Oxford University. She has featured in numerous publications including The Guardian, The FT, A-N Magazine and Art World Magazine and has been profiled and interviewed on the BBC Culture Show. Oliver Projects presented Suzanne’s work at the Woolwich Contemporary Print Fair in 2021, 2022 and 2023. She lives and works in south east London.
Please click the ‘enquire’ button to request a transport quote for this framed work.
Archival Pigment Print, edition of 15, 60 × 47cm
Suzanne Moxhay’s complex images use archival or newly-taken photographs as their starting point. Combining a variety of low and high-tech techniques, her digital photomontages and etchings explore interior and exterior spaces that, in the artist’s words, ‘feel as though they have broken down and perhaps been re-claimed’.
Suzanne’s practice is informed by an interest in film-making, and strong light sources play a key role in creating drama. ‘There’s always been a bit of a play in my work between what’s inside and outside, both in literal and psychological terms. In films the sets and scenes are often used in a way to try and describe the psychology of the character or something to do with the story; that’s always interested me.’
This framed limited edition print by Suzanne is included in our 2024 Woolwich Contemporary Print Fair collection. In this imagined scene, the artist explores scale and perspective by placing a natural landscape in front of what appears to be a painted wall. The end result is reminiscent of an elaborate stage set; the viewer is left to question reality versus fabrication.
Suzanne studied at Chelsea College of Art and The Royal Academy Schools, graduating in 2007. She has exhibited widely, both nationally and internationally since 2002 and her work is held in many significant public and private collections including the University of the Arts Collection, The Royal Academy of Arts, The Cooper Union New York, and Oxford University. She has featured in numerous publications including The Guardian, The FT, A-N Magazine and Art World Magazine and has been profiled and interviewed on the BBC Culture Show. Oliver Projects presented Suzanne’s work at the Woolwich Contemporary Print Fair in 2021, 2022 and 2023. She lives and works in south east London.
Please click the ‘enquire’ button to request a transport quote for this framed work.
Archival Pigment Print, edition of 15, 60 × 47cm
Suzanne Moxhay’s complex images use archival or newly-taken photographs as their starting point. Combining a variety of low and high-tech techniques, her digital photomontages and etchings explore interior and exterior spaces that, in the artist’s words, ‘feel as though they have broken down and perhaps been re-claimed’.
Suzanne’s practice is informed by an interest in film-making, and strong light sources play a key role in creating drama. ‘There’s always been a bit of a play in my work between what’s inside and outside, both in literal and psychological terms. In films the sets and scenes are often used in a way to try and describe the psychology of the character or something to do with the story; that’s always interested me.’
This framed limited edition print by Suzanne is included in our 2024 Woolwich Contemporary Print Fair collection. In this imagined scene, the artist explores scale and perspective by placing a natural landscape in front of what appears to be a painted wall. The end result is reminiscent of an elaborate stage set; the viewer is left to question reality versus fabrication.
Suzanne studied at Chelsea College of Art and The Royal Academy Schools, graduating in 2007. She has exhibited widely, both nationally and internationally since 2002 and her work is held in many significant public and private collections including the University of the Arts Collection, The Royal Academy of Arts, The Cooper Union New York, and Oxford University. She has featured in numerous publications including The Guardian, The FT, A-N Magazine and Art World Magazine and has been profiled and interviewed on the BBC Culture Show. Oliver Projects presented Suzanne’s work at the Woolwich Contemporary Print Fair in 2021, 2022 and 2023. She lives and works in south east London.
Please click the ‘enquire’ button to request a transport quote for this framed work.
