Suzanne Moxhay, Vault, 2021
Archival Pigment Print, edition of 15, 110 x 80cm (unframed)
Suzanne Moxhay’s complex images use archival or newly-taken photographs as their starting point. Combining a variety of low and high-tech techniques, her digital photomontages and etchings explore interior and exterior spaces that, in the artist’s words, ‘feel as though they have broken down and perhaps been re-claimed’.
Suzanne’s practice is informed by the theatre of film-making, and strong light sources play a key role in creating drama. New life is breathed into deserted scenes by encroaching foliage or startled birds; often an uneasy sense of stillness prevails. Despite her focus upon digital techniques, Suzanne’s images retain a painterly quality achieved through layering and manipulation of textures. This light-infused image of a grand, decrepit interior was taken in an abandoned town in Spain using a combination of images taken during the day and night. It is a slightly larger version of the framed print exhibited in our ‘Escape Rooms’ exhibition.
Suzanne studied at Chelsea College of Art and The Royal Academy Schools, graduating in 2007. She has exhibited widely, both nationally and internationally since 2002 and her work is held in many significant public and private collections including the University of the Arts Collection, The Royal Academy of Arts, The Cooper Union New York, and Oxford University. She has featured in numerous publications including The Guardian, The FT, A-N Magazine and Art World Magazine and has been profiled and interviewed on the BBC Culture Show. Oliver Projects presented Suzanne’s work at the Woolwich Contemporary Print Fair in 2021. She lives and works in south east London.
Archival Pigment Print, edition of 15, 110 x 80cm (unframed)
Suzanne Moxhay’s complex images use archival or newly-taken photographs as their starting point. Combining a variety of low and high-tech techniques, her digital photomontages and etchings explore interior and exterior spaces that, in the artist’s words, ‘feel as though they have broken down and perhaps been re-claimed’.
Suzanne’s practice is informed by the theatre of film-making, and strong light sources play a key role in creating drama. New life is breathed into deserted scenes by encroaching foliage or startled birds; often an uneasy sense of stillness prevails. Despite her focus upon digital techniques, Suzanne’s images retain a painterly quality achieved through layering and manipulation of textures. This light-infused image of a grand, decrepit interior was taken in an abandoned town in Spain using a combination of images taken during the day and night. It is a slightly larger version of the framed print exhibited in our ‘Escape Rooms’ exhibition.
Suzanne studied at Chelsea College of Art and The Royal Academy Schools, graduating in 2007. She has exhibited widely, both nationally and internationally since 2002 and her work is held in many significant public and private collections including the University of the Arts Collection, The Royal Academy of Arts, The Cooper Union New York, and Oxford University. She has featured in numerous publications including The Guardian, The FT, A-N Magazine and Art World Magazine and has been profiled and interviewed on the BBC Culture Show. Oliver Projects presented Suzanne’s work at the Woolwich Contemporary Print Fair in 2021. She lives and works in south east London.
Archival Pigment Print, edition of 15, 110 x 80cm (unframed)
Suzanne Moxhay’s complex images use archival or newly-taken photographs as their starting point. Combining a variety of low and high-tech techniques, her digital photomontages and etchings explore interior and exterior spaces that, in the artist’s words, ‘feel as though they have broken down and perhaps been re-claimed’.
Suzanne’s practice is informed by the theatre of film-making, and strong light sources play a key role in creating drama. New life is breathed into deserted scenes by encroaching foliage or startled birds; often an uneasy sense of stillness prevails. Despite her focus upon digital techniques, Suzanne’s images retain a painterly quality achieved through layering and manipulation of textures. This light-infused image of a grand, decrepit interior was taken in an abandoned town in Spain using a combination of images taken during the day and night. It is a slightly larger version of the framed print exhibited in our ‘Escape Rooms’ exhibition.
Suzanne studied at Chelsea College of Art and The Royal Academy Schools, graduating in 2007. She has exhibited widely, both nationally and internationally since 2002 and her work is held in many significant public and private collections including the University of the Arts Collection, The Royal Academy of Arts, The Cooper Union New York, and Oxford University. She has featured in numerous publications including The Guardian, The FT, A-N Magazine and Art World Magazine and has been profiled and interviewed on the BBC Culture Show. Oliver Projects presented Suzanne’s work at the Woolwich Contemporary Print Fair in 2021. She lives and works in south east London.
